Forehead to forehead on the rocks below the hotel, the bay turquoise behind them.

St Ives Harbour

A team working through printed layouts, shot as it happened rather than staged around the camera.

Brand Day

Close in on the spire at height, the sort of pass that replaces a scaffold for a condition check.

The look between them during the ceremony, caught from the side of the aisle without interrupting it.

Service in full flow, shot from the cold side of the pass so nobody had to stop working.

Straight down over a build in progress, the finished solar roof beside the one still going up.

Lifted off her feet in the long grass behind the barns, veil still going, sky completely clear.

Made on location against the bookcase that was already there, no studio backdrop involved.

A conversion shot at the last of the light, low enough to keep the glazing readable.

Hand in hand across the gravel as the evening sun came round the front of the manor.

Retail interiors shot down the length of the aisle, stock dressed and lit as the store runs it.

Overhead of the whole plot, drive and grounds in one frame for the property listing.

Somewhere between the speeches, seen past the backs of the guests who were laughing too.

Detail from a corporate evening: the chip tray and the shoe, before the first hand was dealt.

Along the length of an industrial array, flown for inspection rather than for the view.

A slow walk back down the wildflower path while the drinks reception carried on without them.

A let bedroom photographed for listing, shot wide with the blind set to keep the wall colour true.

The hotel front from just above the canopy, with a vintage car waiting at the door.

First dance against the bare stone wall of the reception room, lit by whatever the DJ had running.

Industrial coverage on a working site, in hi-vis, between deliveries.

Low over the slates for a survey, close enough to count the pots and read the ridge.

Behind the camera on a food shoot, the plate lit and the frame already up on the back screen.